the first 2 eklero releases bundled up for one special price!

pristine sci-fi manoeuvres across 4 killer tracks. dark hypnotic electro ( radius ) leads us into the reverb soaked space-house jack of further out . flip for the classic tech funk groove of blueshift before closing with the remarkable final orbit , widescreen dub sonics with a sideways glance at the artcore days of dnb. essential stuff from dark arts.

following last year’s much-acclaimed solo album “mondo alterado” (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plex’s discotico plexico to dj tennis’ dreamy pimiento drive version of a numb gas to the future or fantastic twins’ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns – a world where an epic, cinematic soundscape such as superpicher’s rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut “pow pow”.

meanwhile, red axes turn the casual narrative of “life is strange, life is hard, life is great” into a bouncing workout – a great companion piece to want, danny daze and shokh’s propulsive, jagged dub version of “fears come true”. other highlights include jörg burger aka the black frame with the lush black rainbow woman, paulor’s country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. it’s a magical, surprising ride that finds beauty in contrasts – while staying tuned to rebolledo’s spirit of adventure and powerful sense of style.

1st solo ep by the young talented breakthrough artist escape to mars on vault series.
welcome to world of vault!

straight outta houston texas, za’s sound is a cauldron of edgy, raw, scourged techno & electro. the hague sound if it was relocated to an intergalactic space station. a human relocation experiment turned dystopian isolated resistance faction.

emerging from what sounds like the unknown depths of outer space, new artist icore drops a debut ep on osiris music uk lled with ve exercises in hypnotic, polyrhythmic tension. the a-side’s two tracks ’sigil’ and ‘status field’ feel like two parts of a whole, each establishing a minimal, kick-heavy march in 6/8 that would perfectly ll the cavernous hull of an abandoned mining vessel, lurching through empty parts of the galaxy to the sound of ominous drones and malfunctioning, high-end bleeps. the b-side is more cinematic in its scope, with opener ‘substance from shadow’ summoning a distinctly b-movie vibe in its melody, before both ‘claimed by night’ and ‘axiom’ retreat into darker, more ambient territory, the former thick in sub- bass kicks, the latter ramping up the dread with unnerving repetition.

nice price deal !!! fan erhalder delivers a fully reworked version of his zollamt to build the third strike on geilomat records. pounding kicks and deep basslines, you simply can t resist to shake. the flipside features vintage electro sounds with that classic 808 sound.

driftmusic, version: h / gry / 002 - further explorations of the deepest roots of avrokosm, where occult still means hidden. three cuts of electronic will, from the primordial ooze with a desire to simply be. out of the gate, crown of light, come on, come on, this is now. twisted 808s, melodic tripmuzik seduction, like the flares of 1000 suns. swim through space with us.

harry wolfman returns to uk imprint house of disco for his second solo ep with the label. this time exploring more cosmic realms as he draws inspiration from his favourite science fiction writer. 3 original tracks to slow-dance in space to. limited to 500 with the full colour sleeve.

jesse bru’s release on slivers invokes early edit based house with a number of tracks both for the head and dancefloor alike. similar to bru’s eclectic and expansive releases as of late, ‘giving me the feels’, as the title suggests, focuses on a focus on soulful sounds that has become his signature.

brian kage returns on michigander with the, best kept secret ep. kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and michigan’s natural splendor. best kept secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. lost on old free-soil road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. cruise control on us-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. all these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. this tune is the perfect tool for any dj interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside. related items

classic dance songs played by david mancuso at the loft parties.

nice price deal !!! planet x sees dave back as system status and head honcho of his own label night sweats. all three tracks on this debut outing for the label are brimming with the analogue warmth of daves beloved arp axxe and soulful samples from his treasured vinyl collection, creating a juxtaposition of sounds that are essential for any discerning space raver!

eric cloutier launched palinoia last year with a single of his own, but now he s turned to berlin mainstays exercise one to lay down some of their trademark psychoactive machine music for the second installment. heptagon sports metallic synth notes clanging out over a freight train of techno drums, while prism takes a more nimble approach to twist out its various synthetic squeaks. nitrogen is a warmer proposition, placing the emphasis on chords and melodies while still aiming squarely at the dancefloor. thirty four finds the duo veering away from the 4/4 dogma to deliver a captivating kind of broken techno in a soundscape loaded with tension and ominous empty space.

makeness, the brainchild of kyle molleson, returns with his white label . off the back of a minor science remix being played out by the likes of jamie xx, ben ufo, avalon emerson and more last summer, the ep marks the producer’s most dance oriented ep yet. the roots of temple works date back to the producer’s time in leeds, which played an important part in both this release and his wider love for dance music. while there, molleson recorded a friend s percussion project, g-bop orchestra, at an old textile mill in holbeck, known as temple works. the vast openness of the space made for the best natural reverb and is weaved throughout the title track. it was also in leeds where the producer discovered cosmic slop, an all welcoming party with a sound system built by founder and resident dj, tom smith, with donations going towards raising money for local charity map (music and arts production). slop’s intimate and flawless sounding room played a huge part in cementing makeness’ love for club spaces.

more space age melancholic sounds for the second instalment of the craigie knowes universal broadcast series. electro to techno across 4 celestial beats.

photic fields usher a new name into the fold, switzerland s contra communem opinionem aka cco. the lux rec and mathematics alumni arrives with the road to the stars, five tracks of his trademark acid elegance. the ferocity of the 303 has been sheathed, percussion pared down with lush chords and deep warmth being the focus. house is the foundation from which cco builds. those time honoured sounds support cascading melodies and fragile keys for a 12- that borders between armchair abstraction, floor funk and the night sky.

since 87 a 13 year old jan svensson aka villa abo has been the back bone of swedish electronic experimentalist group frak and behind one of the biggest inspirations for butter sessions, borft records. as always, jan keeps pushing the boundaries on this 4 tracker. kicking it off, just a 309 is a stripped-back rough and ready house track in true 90 s borft style. on mission just pam pom we are blasted with space zaps and bizzaro chords melted together with an irresistible beat and sfx from tomorrow. the weird-o-meter is stepped up a few notches on the b side with the sluggish yet hypnotic burn on separated together . a bonus collaborative effort on pony-flute by jan and another frak member duo j encapsulates us with a dramatic introduction of flute like synths and dark atmospheres taking us into the underworld..

‘race to zero’ is the new album by musician and composer john matthias and producer, musician and composer jay auborn.
the album’s starting point was a series of acoustic improvisations recorded in a variety oflocations, from a 700 year old chapel in the devon countryside to a basement studio in reykjavík, iceland. in an attempt to create a fractured sense of space reflective of the digital condition, the duo found themselves working within a place that could only exist in the digital landscape.
by crushing the recordings through a hundred different virtual rooms of reverb and other chaotic digital processes, they collided, soared and splintered into sweeping new rhythms, melodies and drones.
the outcome is a unique landscape that blurs the line between the virtual and physical worlds.
the vinyl release includes a download code.

new comers laughing man and noah skelton release their -element ep-, on silencio. the first track, -element-, is a collaboration between the two artists. this combined effort rumbles into the clearing, dragging the dance floor and its occupants along with it for a riveting ride throughout its duration. a beguiling bass line, complimented by underlying ethereal sounds, seamlessly contrasts and connects to form a compelling rhythm. riddled with space age laser samples that periodically bubble to the surface, this track consistently pulls listeners in by pushing out good vibrations. on side b laughing man goes solo with the second track -1939-. this dynamic offering is a model of contemplative creation that basks in its own thought provoking ambience. a series of scintillating samples, echoing in waves of varying intensity, are served up with satisfying drums and a clever assortment of claps. this release has a way of finding your mind and marinating in the sub-conscious because it s just that deep.

hot creations gear up to drop the eagerly anticipated house & pressure from hot property route 94. echoing the excitement that surrounded his no.1 hit my love, which shot him to stardom, the record has been in serious demand for months. now finally ready for release he showcases his versatile skills as a producer over three heavy-weight tracks. rowan jones aka route 94 explains how he wanted to put out three tracks that were diverse yet definitive. title track house & pressure packs a real punch and contains the vocals from joey negro s classic ride the storm featuring linda clifford. the dominant female vocal on ‘house & pressure’ combined with the force of the drum machines is a traditional element that people connect to the route 94 productions. with ‘crazy bitch’ it’s a more of a big room sound, incorporating ghetto elements. ‘dark keyless’ is the complete opposite, creating a groove that aims to grab the crowd and let them loose. this year has seen a succession of big releases and remixes from route 94 that cement his place amongst the dance music elite including the recent hit mind, body & soul on crosstown rebels. the talented producer first saw fame reaching no.1 in the uk charts with my love featuring jess glynne. keen to remain on the underground scene, he followed with releases and remixes on leftroom, defected and hot creations. overwhelming success followed as he performed at the likes of fabric, sub club, space, ushuaia, dc10 and many more. with a wealth of new material still on the way and a hectic touring schedule in place, its clear this is only the start for the young artist.

vinyl only. straight limited. no repress! sound spectrum is a project aimed at recording slices of human experience through sounds. it started among friends partying together in london, tokyo, new york and berlin. this is a journey of feelings which exists in a place with no time and space.

we’re glad to welcome back aun to cyclic law for their latest opus! aun’s music as always suggested forays into other dimensions, be it to imaginary worlds, industrial wastelands, through space and time, or via mind altered states. from the ominous dystopian artwork, of a city being drained of its energy by some mysterious black hole, to the first notes of the title track “fiat lux” we are once again transported on aun’s otherworldly travelling path. ever since the space industrial and power electronics of aun’s previous cyclic law cult release “black pyramid”, the world has become even more sinister, but in contrast, “fiat lux” exudes even more of aun’s melancholic hopefulness. the disintegrating chords and densely textured waves, anchored by a left field industrial pulse, invoke occult drug enhanced, future psychedelia. created in part in their montreal studio, these tracks were extensively performed live, prior to recording, and refined while on tour breaks in montpellier, barcelona and tokyo. the energy of these cities is definitely at work in these recordings, which also features a french connection of experimental heavy hitters: witxes, frédéric d. oberland and philippe petit have helped round out dumais and leblanc’ arsenal. fiat lux: let there be light, from light will come darkness.

long beach serial chiller ahwlee is a beat vet who delivers smooth buttery samples with a nostalgic vibe. 1991 is a cult classic cassette now issued for the first time on vinyl. these tracks are dusty, mellow and easy-going. don’t mistake mellow for boring, however, because ahwlee’s production is nuanced and intricate underneath the minimalist overtones. there’s jazzed-up rhodes all over the place, and the percussion work masterfully includes a ton of negative space in between perfectly chopped breaks. they’ll get your head nodding.

trumpeter/ composer sefi zisling incorporates afro-jazz with psychedelic funk in this new solo project. sefi is known as the top trumpeter of tel aviv jazz & funk scene. while still attending high school, sefi performed with various funk and groove acts, laying the foundations for many more musical encounters and fruitful collaborations with other members of the ever-growing tel aviv music scene. sefi performed with bands such as the ramirez brothers, kutiman orchestra, funknstein, gili yalo, and many more. today, after fifteen years of recording and performing all over the world alongside almost everyone within the israeli music scene, sefi is taking a step forward to release his debut solo album.

zero hero / lies / jelousy / meritocracy?

solo project of vanishing twin (soundway) member. the song cucumuber sword feat. vocals by taishi nagasaka (fat white family) man from uranus has been making music inspired by the freakier edges of 60s and 70s library music and jazz for almost 2 decades, and like his predecessors - sun ra, space lady - he s never really fitted in, feeling more comfortable exploring cosmic realms than than with his feet firmly on his own planet. a prolific composer and home recordist, he has garnered a reputation for eccentric live shows, each presenting an entirely new repertoire. alien flowers, in a limited edition of 300, is one of few recordings capturing the spirit of an artist who is unwittingly on his way to attainting cult status. alien flowers has been played on nts, the wire s adventures in sound and music and the independent music podcast. support from the sunday experience, tom furse (the horrors), jonny trunk, doug shipton (finders keepers), emily bick (the wire) and anthony chalmers (baba yaga s hut).

taapion returns with a fine deep techno by pvnv who takes us on a interstellar deep space journey with this third chapter of taapion records.
2017 repress in regular sleeve.

in 2016. i rented out a small piano studio in east london for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. inspired by albums from this mortal coil and scott walker, who also sought freedom to work outside of the expectations of their previous work, i limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, i felt free enough to tell untold truths that i’ve never felt comfortable talking about within music. free, liberated, empowered. naked.

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

uk producer allen saei aka aubrey is no stranger to burek family, having already remixed information ghettos -inspiration- track for burek in 2013 and dj stingray s -communication system- track released on barba in 2015. as is to be expected from a guy whos been spending time in the studio for better part of the last three decades, on 13th barba release aubrey delivers a mature and consistent space-themed club 12- titled -space funk-.

limited to 250 copies 7’’inch vinyl. niagara reporting: ascender 003. ida is a straight line. no distractions. three big bull inna one direction. bass and drums making space for the melodica and the whispers to fill in the space. on the flip, an entirely different beast. volta is all about the enthusiasm of playing music. breathing through a harmonica, some bass, some momentum and an odd barking voice. and then, there is calor, the heat melting the machines. note about calor: this song is meant to be listened to at very low volume, so it will blend in with the sounds of your own room.

salty shores of a deep blue sea, mountain tops with blinding hats and wrapped up greenery in reoccurring patterns. three places, two journeys, heavenly lit in gentle warmth by the feathered sun. a collaboration of impressive beauty and beautiful impressions: acid pauli, christopher schwarzwalder, jo.ke, nu and raz ohara take us, you, me, luise by the hand to paint a picture of shifting shapes and scenerey. two slow paced tracks, one per side, for that extra length and space it deserves.

fredfades is a norwegian producer specialising in the uncut raw hip hop. here’s his debut solo album, “warmth”. (vinyl includes download code) in 2013 he dropped a classic with ivan ave called breathe on kingunderground records. warmth is his debut solo album following a long line of singles, collaborative albums, cassettes and load of independently released projects. the album has 16 tracks made from jazz, soul and boogie samples with gritty drums and a dash of synth stabs, mixed by fred and mastered at strype audio in oslo by christian obermayer. the title track warmth is the last track on the album and was sampled from a live recording off one of fred’s favourite jazz records that is always on heavy rotation at the crib. guests at the table include med (stones throw), mndsgn (stones throw), ivan ave, (jakarta), moruf, koreatown oddity (stones throw), chester watson and more.

heko records welcomes back pancratio for his second release.

arriving as the first release of the new sublabel series figure jams, this split ep by fabrizio lapiana and amotik serves not only as a crafty cut in its own right but also showcases a particular type of package, which figure will be facilitating from now on. the a-side is taken up by a pair of lapiana’s irresistably dense grooves that unmistakebly tread in the footsteps of his homeland’s highly emotional techno, unafraid of big melodies but also injecting just the right amount of twisted acid to set the floor ablaze. this sense of grandeur and space is also reflected in the work of fast-rising producer amotik. painting with his very own colours as an equally epic scenery, its bleak and post-apocalyptic landscape dominated by broken industrial beats and hypnotically swirling synths.

the one and only joey beltram delivers a remix of jungle love with a techno electrifying spinoff complete with strong drum basslines and favoured by the industry s best. matt sassari gets deeper and darker than ever in this classic techno must have. audio kode is a beast calling to the signatory sound of de-noize with driving techno, heavy drums and bass, and raw heart-stopping beats that have appealed to richie hawtin and the likes. joey beltram s remix reached beatport s top charts at #47 and stayed there for almost a month, boosting both audio kode and de-noize records. support from joseph capriati, richie hawtin, marco carola, danny tenaglia, paco osuna, monkidj, dmc worldmagazine and plenty more!! matt sassari s track met with early success reaching #29 on beatport s top 100 in techno and climbed to #19 traxsource s chart, staying there for over a month. support from richie hawtin, romanolito, marco carola, paco osuna, joseph capriati, skober, hollen, dformation and more.. richie hawtin played this track on his livestream several times and at space ibiza opening party during hawtin s enter event. this was followed by plays by notable djs during the summer festivals and numerous related tweets to richie hawtin and tons of support by his followers. track fully supported by more including skober, hollen, dubfire, dj boris, danny tenaglia, nicole moudaber, tocadisco, mark antonio, meat katie, anderson noise, angy kore, tom laws, tiga and more

frederic bergamaschi from bretagne, who produce under a few monikers like infinity night, which could be familiar, if you are a voyageur of the space-roller disco universe.

nice price deal !!! rebirth of a legend. travelling through time and space future makes no mistake. halo varga’s unforgettable hymn can shake the dancefloors even after 17 years. this golden song was released by siesta music and the legendary hooj choons imprints, and now after more then a decade its landing on all inn records sorrounded by 6 incredible reinterpretations of janeret, coldfish, howl ensemble, pola and jaffa surfa. together with all these different shades and shapes this is truly one of the most remarkable gem of the label

a quasar is the most luminous object in the known universe. it emits extreme amounts of visible light, but radiates like crazy on all other wavelengths, as well. here you can get as close to a particularly energetic quasar as no man has ever been before - during an adventurous space flight with felix eul and a bunch of other well-travelled sound cosmonauts. this voyage takes you to the final frontiers and beyond where you might even encounter strange aliens like the pianoctopus, known to sneak its tentacles into the ears of unsuspecting astronauts and to tickle their skullcaps from the inside. by the way, during our flight we might experience turbulences which you will experience as sudden, adrenaline-loaded outbursts of euphoria. they are caused by transdimensional discharges along the wings of our spaceship, a phenomenon known as interplay.

only vinyl! dedicated to my family my supporters and all the music lovers. the third chapter come from four different artists a new talent federico brasi, jordan magee, our belong lapucci and yakine. four different styles that follow the same line, 4/4 beats, deep and acid bass, space melodies and straight groove.

one sided 12 inch hard hitting, direct revisions for classic christian morgenstern techno projects

following his first ep on field records in 2015, staffan linzatti presents the 25th instalment of the label with a perfectly balanced minimalist techno triple pack.

the mighty mystic bill, a true us house legend though somehow criminally underrated. those who know, know. his records have long had a mythical status among the diggers, with dj s who delve that little bit deeper weaving his sounds into their sets. having released on numerous labels including relief, trax, classic and more bill has cemented his rep as an artist that has his own vibe and sound. bill s music exists in that space where the late night meets the earliest morning, sweaty, dark dance-floors and stripped back, jacking tracks are the order of the day... proper, real deal house music. mystic files covers the period of 1989 - 1995 and showcases some of bill s various styles, originally released on trax in 1995 this timely reissue shines a light on an artists who definitely deserves more props! this release has long been a tough one to catch with second hand copies sometimes fetching healthy prices online and collectors clamouring to harness some of bill s magic... this will be right up your alley if you re a fan of ron hardy, relief / cajual, steve poindexter, armando and everything in between! sleeping not advised!

wake up! 009 catches steevio in a lonesome mood. over three tracks the freerotation co-founder cruises through weightless negative space, sketching out contours against a backdrop of deep shadows and warm, melancholic pads. * machlud* opens like a mission statement, sorrowful and barely-there, before moving to the more nervous lounging of * forgotten futures.* on the b-side * green therapy* picks up the pace, bouncing with a lightly kinetic swing. luis remix wrings some raw pathos from the originals immaculate depths. yet it remains of a piece with the source material, rounding out an ep of heady, ephemeral moments.

das von gilles peterson gegründete label brownswood feiert sein 10-jähriges bestehen mit einem limitierten lp-sampler mit zehn coverversionen seiner künstler. neben bereits bekannten tracks finden wir hier das bislang unveröffentlichte cover von cans “vitamin c” der owiny sigoma band, emanatives sun ra-cover in einem bislang unveröffentlichten mix sowie malas dubstep-version des peruanischen traditional-meilensteins “cunumicita”. schwarzes 180g doppelvinyl.

oloo db returns with the second voyage into the unknown space. evermore wide, melodic and healing trips for you to journey on.

following a killer debut on optimo trax michele mininni debuts on r&s with the heavy hitting psych detonation of ‘rave oscillations’ hailing from southern italy, mininni s influences run to kraut, post rock, new wave and electronic amongst others, a long time dj he manages to condense his influences into beguiling productions that come as a welcome breath of originality. taking a heavy dose of inspiration from seminal kraut groovers silver apples, ‘rave oscillations’ builds from the hypnotic motorik groove and off kilter bass into a pulsing peak time anthem. on the flip, ‘vortex stasi’ takes things into a more psychedelic direction - dubbed out piano, jittery rhythms and spiralling swathes of guitar blossom into a truly tripped out, squalling, breakneck concoction. mininni s kaleidoscopic musical vision is a truly unique proposition, a myriad of different styles and genres deformed under his oblique lens to create sun-drenched space music.

memento records honcho idriss d is back on his own dib sublabel with * khomsa* a 3 tracks banger with a steady pace and a fresh sound, blending together house chords and rhythms with techno bleeps and structures. “khomsa” is a peak time dance floor anthem focused slowly built up by shuffled grooves and bouncing synthesised drums. “watching my self” is darker, faster and relentless, while “stability” is a fine crafted esoteric percussive trave into outer space